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Word In Transit
Roisin Eloise Kerslake-Sim
Repeatedly shreds an image of herself. Recalling the politics of identification photos, she uses a banal office object to subvert the boundaries of the digital and the real.
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Roisin Eloise Kerslake-Sim
Repeatedly shreds an image of herself. Recalling the politics of identification photos, she uses a banal office object to subvert the boundaries of the digital and the real.